Midnight mass netflix12/22/2023 ![]() It's the climax of the 10 episodes, the same length as The Haunting of Hill House, that doesn't necessarily pay off in a way that wallops you in the chest - a side effect of setting up the series for more to come. Inevitably some of the ghost stories are more exciting, moving and distressing than others, but they all fit surprisingly smoothly into the framework of episodic mini-movies. Prepare for occultist symbols in The Midnight Club. ![]() Along with Rahul Kohli and Zach Gilford, Sloyan is one of several from Flanagan's regular acting troupe to help tell his latest story. Others seek to prolong life through less-established means, such as hippy-type Shasta, played by an always-magnetic Samantha Sloyan. Georgina Stanton, played by scream queen royalty Heather Langenkamp from A Nightmare on Elm Street - advocate accepting death and appreciating life. In sensitive discussions, other figures - such as mysterious Dr. With characters so close to the brink of death, any escape, no matter how fantastical, is worth exploring. Similar to Midnight Mass, The Midnight Club dangles a veracity to its impossible elements, so that its main characters might just think a magical cure is real. Circular occultist symbols are seemingly echoed in the stained glass windows and arch hallways - or is that just a charming coincidence? The design of this haunted house is meticulous. ![]() In stark contrast, Brightcliffe breathes the 1900s. An eerie glare shines over characters dialing up the internet on their chunky computers. Set in the '90s, it drops era-specific alternative/indie songs over the credits. Like '80s-set The Haunting of Bly Manor, The Midnight Club is a period piece. Aside from a "possessed" elevator and a ghost creepily named Cataract Woman, a mystery about a potential cure propels the main story forward. With her fiercely bright and curious mind, Ilonka is the perfect investigator into the strange happenings at Brightcliffe. A once-prospective Stanford student, Ilonka's future fades with the ringing in her ears when she receives a shocking doctor's diagnosis. The newcomer to these longstanding halls is Ilonka (Iman Benson). They allow the patients, facing their mortality, to leave something behind when they're gone. Drawn from other Pike novels and played out as mini-movies, these fantastical stories reflect reality more than you'd think. These patients - Sandra (Annarah Cymone), Anya (Ruth Codd), Spence (Chris Sumpter), Natsuki (Aya Furukawa), Kevin (Igby Rigney), Cheri (Adia) and Amesh (Sauriyan Sapkota) - creep into the library at night to tell each other ghost stories. The Midnight Club itself is the name of a meeting between terminally ill teenage patients at Brightcliffe Hospice. The members of The Midnight Club in their usual meeting spot. At its core, The Midnight Club is a moving portrait of those processing their impending death, when their lives have barely begun. A serial killer, a cult and reflections on mortality elevate The Midnight Club to a more sophisticated realm. Its elevator pitch: The Fault in Our Stars meets Are You Afraid of the Dark?īut The Midnight Club is far more disturbing than it sounds. It's populated by ghosts, witches, zombies, cyborgs, aliens and more. Yet it has all the hallmarks of a young adult fantasy. The Midnight Club, a 10-episode first season streaming on Netflix, looks and feels like a chapter from the Flanaverse. Now, after carving out a career of "prestige horror" offerings - from the critically acclaimed Haunting anthology to Midnight Mass - the director has finally earned a shot at taking on Pike's material. The first time Mike Flanagan tried to adapt Christopher Pike's young adult novel The Midnight Club, Pike's publisher sent Flanagan a cease and desist letter.
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